
I used an antique wedding dress to create the cap and tail of this piece. The antique silk was hand dyed with rhubarb and iron. Lined with vintage miesen silk with a wheel and spoke design. Hand stitched.
Hand dyed silk piece with simple lace detail border. 6 skulls mirrored achieved through resist dye technique and iron.
Vintage Silk hand dyed with a resist of a mirrored steer and iron. Shibori silk pulls and hand finished with entropic purple striped interior.

Translucent fabric from a vintage tablecloth formed in a detailed and unfinished corset cover. The top closes with two safety pins.
Vintage silk dyed with hand harvested goldenrod and madder. Hand stitched and chain stitched with the words THE STRING. The back of the jersey has a fine detail of the constellation Leo.

Made of red transparent vintage cotton from an apron, this bra is a 32C cup and closes in the back with a shell buckle. Shell emblems of a cross and a heart adorn each strap. The straps are made from a vintage silk scarf as is the tie in the back.


A 1930s style vest made from a transparent antique tablecloth.

Entropic mantle formed into a customizable saloon skirt with pulls and ties. It is actively deteriorating.

Two sets of three hand dyed vintage napkin sets in goldenrod and walnut/iron dyes. Using a resist technique, mirrored four petal flowers adorn the napkins. Each napkin is unique and perfect for any table setting.
Silk from an antique wedding dress hand dyed with resist, copper, rhubarb and iron. Chain Stitch embroidery says THE SHOW. The diagram on the left breast outlines the way energy moves through a metal torus.
Antique chain lace lined at the ends with velveteen decorated with simple brown and red beads. The cap closes at the top with a fur collar gathered at four points. Can be worn alone or as a cover for another hat.

Two kinds of vintage table cloth individually dyed with rust, rhubarb and copper. The jersey has the phrase FIVE TOOL PLAYER and the number 4 made from the Pisces constellation chain stitched on the back and on the left breast. This is an incredibly special piece and the first to be finished for the collection Hell or High Water.

Vintage upholstery fabric makes the outer shell of the horned hat and tail. Indian cotton lines the interior and makes the closing.

Entropic mantle formed into a customizable saloon skirt with pull and ties. It is actively deteriorating.

Hand stitched vintage silk forms a corset cover with the upper seams left unfinished. Closes in the front with two safety pins.

Vintage silver table cloth given to me by a neighbor. The baseball jersey is constructed with unfinished edges. The number 2 is chain stitch on the back in medieval script.

A set of two antique cotton napkins hand dyed with a resist technique using iron and copper to create a psychedelic pattern. The napkins have a lace detail in the respective corners.
Vintage butterscotch silk with the chain stitch embroidery of the number 9 in medieval script.
Antique cotton piece dyed with rust and copper.
A vintage tablecloth dyed with rhubarb and rust compression constructed into a baseball jersey with unfinished edges. The garment is closes with antique steel buttons. The back of the jersey has the phrase TRIPLE DEAD HEAT, a term used in horse and dog races where three competitors make a photo finish. A portion of the constellation Sirius adorns the back in a chain stitch design.
Hand dyed antique cotton with lace detail in the corner. Dyed with rust, copper and goldenrod harvested in Greenfield, MA.
Cotton sheet dyed with resist technique, iron, and copper. The hood is lined with a vintage table cloth painted with black stripes using ink. Silk tape threaded through the head to tighten. Hand finished.

Vintage beaded black lace closes simply in the back and at the shoulders.

Entropic tablecloth formed into a wasting skirt. Closes like a wrap skirt. It is actively deteriorating.

This dress is made of vintage lace with a chain design woven in the material.

This simple piece was made from antique lace to create an ethereal top that ties in the front or back with two white tapes. A great piece to add to a collection to add a bit of transparency and lace.

Hand dyed with madder these antique tablecloths are for a small card table or nightstand.


















I used an antique wedding dress to create the cap and tail of this piece. The antique silk was hand dyed with rhubarb and iron. Lined with vintage miesen silk with a wheel and spoke design. Hand stitched.
Hand dyed silk piece with simple lace detail border. 6 skulls mirrored achieved through resist dye technique and iron.
Vintage Silk hand dyed with a resist of a mirrored steer and iron. Shibori silk pulls and hand finished with entropic purple striped interior.
Translucent fabric from a vintage tablecloth formed in a detailed and unfinished corset cover. The top closes with two safety pins.
Vintage silk dyed with hand harvested goldenrod and madder. Hand stitched and chain stitched with the words THE STRING. The back of the jersey has a fine detail of the constellation Leo.
Made of red transparent vintage cotton from an apron, this bra is a 32C cup and closes in the back with a shell buckle. Shell emblems of a cross and a heart adorn each strap. The straps are made from a vintage silk scarf as is the tie in the back.
A 1930s style vest made from a transparent antique tablecloth.
Entropic mantle formed into a customizable saloon skirt with pulls and ties. It is actively deteriorating.
Two sets of three hand dyed vintage napkin sets in goldenrod and walnut/iron dyes. Using a resist technique, mirrored four petal flowers adorn the napkins. Each napkin is unique and perfect for any table setting.
Silk from an antique wedding dress hand dyed with resist, copper, rhubarb and iron. Chain Stitch embroidery says THE SHOW. The diagram on the left breast outlines the way energy moves through a metal torus.
Antique chain lace lined at the ends with velveteen decorated with simple brown and red beads. The cap closes at the top with a fur collar gathered at four points. Can be worn alone or as a cover for another hat.
Two kinds of vintage table cloth individually dyed with rust, rhubarb and copper. The jersey has the phrase FIVE TOOL PLAYER and the number 4 made from the Pisces constellation chain stitched on the back and on the left breast. This is an incredibly special piece and the first to be finished for the collection Hell or High Water.
Vintage upholstery fabric makes the outer shell of the horned hat and tail. Indian cotton lines the interior and makes the closing.
Entropic mantle formed into a customizable saloon skirt with pull and ties. It is actively deteriorating.
Hand stitched vintage silk forms a corset cover with the upper seams left unfinished. Closes in the front with two safety pins.
Vintage silver table cloth given to me by a neighbor. The baseball jersey is constructed with unfinished edges. The number 2 is chain stitch on the back in medieval script.
A set of two antique cotton napkins hand dyed with a resist technique using iron and copper to create a psychedelic pattern. The napkins have a lace detail in the respective corners.
Vintage butterscotch silk with the chain stitch embroidery of the number 9 in medieval script.
Antique cotton piece dyed with rust and copper.
A vintage tablecloth dyed with rhubarb and rust compression constructed into a baseball jersey with unfinished edges. The garment is closes with antique steel buttons. The back of the jersey has the phrase TRIPLE DEAD HEAT, a term used in horse and dog races where three competitors make a photo finish. A portion of the constellation Sirius adorns the back in a chain stitch design.
Hand dyed antique cotton with lace detail in the corner. Dyed with rust, copper and goldenrod harvested in Greenfield, MA.
Cotton sheet dyed with resist technique, iron, and copper. The hood is lined with a vintage table cloth painted with black stripes using ink. Silk tape threaded through the head to tighten. Hand finished.
Vintage beaded black lace closes simply in the back and at the shoulders.
Entropic tablecloth formed into a wasting skirt. Closes like a wrap skirt. It is actively deteriorating.
This dress is made of vintage lace with a chain design woven in the material.
This simple piece was made from antique lace to create an ethereal top that ties in the front or back with two white tapes. A great piece to add to a collection to add a bit of transparency and lace.
Hand dyed with madder these antique tablecloths are for a small card table or nightstand.